For instance (citing the Themes according
to their numbering in the Thesaurus):
1) The "Murdered Girl Pattern," songs in which boy woos girl (Theme
110 Courtship), boy betrays her (Theme 245 Betrayal) by killing her
(Theme 650). Cf. "Ulinger" (here Catalog#. 03.B2b-03.2) or
"Meuchelmord an der Geliebten" (here Catalog#. 03.E6-1) or "Der
Kaufmannssohn" (here Catalog#. 03.C6d-06), or in der anglo-american tradition
something like "Banks of the Ohio" (Laws F5) or "The Knoxville
Girl." (Laws P35
2) The "False True Lover Pattern," also known as the
"Broken Token Pattern" reminisent of the Odyssey, songs in
which boy and girl are in a relationship (Theme 210 Obligations in ongoing/marital
relationships), boy goes off to foreign places (Theme 320 Departure) and
perhaps has adventures there (Theme 571), boy returns unrecognized Theme
(824), and they test one another for their faithfulness (Theme
810 Tests of Love). Cf.. "Heimkehr des Ehemannes" (here Catalog#.
04.04-04a) or "Der Markgraf von Backenweil" (here Catalog#. 04.04-06),
or in der scots-american tradition something like "Young Beichan"
(Child 53) or "Pretty Fair Maid in the Garden" (Laws N42).
3) The "Criminal Brought to Justice Pattern," songs in which a
criminal or outlaw does asocial deeds (Theme 260 or Theme 540 or
even Theme 650, Murder), is pursued (Theme 460), brought to
justice (Theme 960) and ends up on the gallows (Theme 660 Execution
on the Gallows). Cf. "Lindenschmied" (here Catalog#. 07.1a-04) or
"Störtebecker" (here Catalog#. 07.1c-01), or in der American tradition
something like "Stagolee" (Laws I 15) or "John Hardy" (Laws
I 2).
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